“Saving Capitalism” – Robert Reich is Looking Up

It is a bit odd that when you search for “Robert Reich” on Google you find this.

robertr

The fact that Robert Reich is a man who is perhaps often looking up should probably not be the first thing on his list of accomplishments or even personality traits. For Robert Reich, I would probably just pull this line from John Taylor that begins his latest book Saving Capitalism. This pretty much sums it up.


“There are two modes of invading private property; the first by which the poor plunder the rich… sudden and violent; the second, by which the rich plunder the poor, slow and legal.”

JOHN TAYLOR, An inquiry into the Principles and Policy of the Government of the United States (1814)


But with Google, perception is a bit slow and plodding. Just a bunch of numbers banging their heads against one another. On that same page, a bit further down, you see a post by his son who is announcing to the world that his lawyer mom and his professor dad Robert, former Secretary of Labor under Clinton, have legally separated. His mom left law, I suppose, and is now a license acupuncturist. No, I did not make that up and that news did not make it onto the front page of the Enquirer so it did not register for Google I guess. His son, in order to clear up and confusing had to write a blog post about it, so that Google could index the information. Bizarre.

Robert Reich “Saving Capitalism”
Available at your local bookstore

Reich_SavingCapitalism_Book_v3

A Call for Observations

Some other people in the news. Bernie Sanders seems to rarely get mentioned in the media though his following seems to be growing daily. Any ideas what to make of this stuff? It seems like an odd way to present this content. Google is a private company with interests. I wonder what sort if editorial goes into this stuff. Any observations?

bernie

donaldt

The first thing that seems really strange, is that Robert Reich and the guy on the bottom were born just 10 days apart, not to far from each other. Something to ponder.

BREAKING NEWS! After over 8 years, Google’s Content ID system is STILL IN BETA!

NUMBER OF DAYS content identification tools for YouTube HAS BEEN IN BETA

[getdays]


BETA [bey-tuh or, esp. British, bee-] adj.
A pre-release of software that is given out to a large group of users to try under real conditions.
– PC Magazine Encyclopedia


We all are amazed at this tech giant Google and their many other companies such as YouTube. Their ability to meet the technological challenges of our times is phenomenal. Back in June 14, 2007, they announce an exciting new program called content identification tools for YouTube. I am certain the marketing department had many long meetings trying to figure out a catchy name for this new tool.

The state of our video ID tools
(From googleblog.blogspot.com – June 14, 2007)

“We’ve been developing improved content identification for months, and we’re confident that in the not-too-distant future, we’ll unveil an innovative solution that will work for users and content creators alike. This is one of the most technologically complicated tasks that we have ever undertaken. But YouTube has always been committed to developing sustainable and scalable tools that work for all content owners.

Even though we haven’t given too many details, we’ve been hard at work.”

Hard at work? Really? Then why is this program still in BETA?

From my submission 11/28/2015

And then when you try to see what is going on with your Content ID submission you get a denied. Just because you took down videos to protect your copyrights should logically have no bearing as to the fact that you own the copyrights to that material.


Ted calls Google, which owns YouTube, “a company that has done more to impoverish musicians and other creative professionals than any entity on the face of the planet.”

Ted Gioia from
http://www.artsjournal.com/culturecrash/2014/10/stop-working-for-free.html


So Google, just so you can keep your important projects up-to-date and rolling out in time, I will keep a YouTube Content ID in BETA widget on the right column of this website. Keep up the hard work Google! Maybe some day by the next millennium in the year 2107 Google’s YouTube Content ID project will get out of BETA and have a Release candidate of this product. Trust me. I am NOT holding my breath!


“Imagine a business model where you are given all of the music publishing content for the last hundred years for free. After you build the initial interface, you basically do not have to do anything. The system is set up so that users and fans just give you content even though they have no rights to the ownership of that content. With much of this illegal content you garner about 50% of all advertisement revenue generated by that content. This can go on indefinitely. Sounds like there is no way you can fail. You will make billions off this stuff. YouTube just laughs all the all the way to the bank.”

Anonymous

FURTHER READING ON THE SERIOUSLY FLAWED Digital Millennium Copyright Act

Passed on October 12, 1998, by a unanimous vote in the United States Senate and signed into law by President Bill Clinton on October 28, 1998, the DMCA amended Title 17 of the United States Code to extend the reach of copyright, while limiting the liability of the providers of online services for copyright infringement by their users.

Here is a really funny transcript of a Senior Copyright Lawyer’s speech to congress in April 2014 Why the Digital Millennium Copyright Act Is Working Just Fine… by Katherine Oyama ,Google Senior Copyright Counsel.

Check out the absurdity with this comment

Congresswoman Judy Chu, a job creation advocate from California, provided real time proof that Google was failing in burying pirated sites in their search results. Barely typing in a few keystrokes associated with the Oscar Winning Film, 12 Years a Slave, numerous pirate sites appeared immediately on her iPad near the top of Google’s first search page. Unfazed, the representative from Google continued to extoll the progress that was being made by her company in pushing these pirate sites down in their rankings.

Azabache CD Still Available but Most People Stream

Azabache is/was a salsa band from San Francisco, California. Twenty-three years ago the CD was published by Leopard Music. I am guessing that only 1000 were printed. The music industry was in flux as always, and with the rise of Napster and MP3s everywhere publishing was finding its feet.

Since that time, the CD has made its way around the globe mostly streaming, but probably in suitcases as well. A big thanks to Amazon, iTunes and Spotify for their automation, tireless domination and and endless servers and warehouses, otherwise we would be licking stamps and going to the post office.

Listen to SOME SAMPLES

STREAM AND BUY THE CD at the following retailers:

BREAKING NEWS: CD BABY NO LONGER SELLS CDS, Go figure…

Where’s the CD Baby Store?
CD Baby retired our music store in March of 2020 in order to place our focus entirely on the tools and services that are most meaningful to musicians today and tomorrow.
https://store.cdbaby.com/

(Thanks for letting us know. Does that mean we threw the baby out with the bathwater?)

To order an actual CD, you no longer go to CD Baby. CD Baby is now only a digital distribution facilitator. The music industry is always changing. CDs are now 8-tracks. Jewel boxes in everyone’s basements gather dust until the next wave. A gosar! A bailar!

Remembering Allen Toussaint

I am not sure that many Americans know the name Allen Toussaint. I surely did not until I was well into my twenties. Like so many really important things, Mr. Toussaint was not a part of the standard core curriculum. I think Allen Toussaint should be on a stamp! He was an incredible musician and force in 20th Century American music. Period. But unfortunately, Mr. Allen Toussaint has left the building and passed away November 10, 2015.

Allen Toussaint
January 14, 1938 – November 10, 2015

You can read about this amazing guy here http://allentoussaint.com/

Harry Shearer’s radio show, Le Show, this week plays an interview with Allen Toussaint from a few years back. It is about ten minutes in, just past the “apologies of the the week.” http://wwno.org/post/le-show-week-nov-15-2015

>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>

I am not qualified to write about this man. I heard Allen Toussaint play live just one time. It was at the San Francisco Hardly Strictly Bluegrass festival in about 2012. It was at the Star Stage and I was simply amazed that there were not more people in attendance. Allen Toussaint, on the stage, with a grand piano, for free!!! He was there with a quintet. I remembering seeing him back stage, impeccably dressed, smoking a cigarette, by himself. He seemed to be going over the lyrics in his head. His gaze was far off and he seemed to be talking to himself. He was about to go out and sing about twelve tunes in a row, probably a few he had not played in a while. His band seemed in a bit of disarray. But then they hit and all was good. I distinctly remembering him sing a beautiful rendition City of New Orleans by Steve Goodman. Like the absolute pro he was, he nailed every verse.

Night time on the City Of New Orleans
Changing cars in Memphis Tennessee
Halfway home – we’ll be there by morning
Through the Mississippi darkness, rolling down to the sea

>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>

Rest in Peace Allen Toussaint.

The Google Buses have Invaded Valencia Street

Cities always go through changes. These changes are viewed in broad strokes like the tide. It rolls in and out and somehow all the details are lost in the generalities. Here are some of the details with the tech invasion of 2015 in San Francisco.

In San Francisco, one thing is for certain. In 2015, it is very expensive to find a place to live. Busloads of young tech workers have moved to San Francisco and everyday they ride the large, usually plain white, employer-provided buses back and forth to Silicon Valley. Their generally high wages have pushed rents up in San Francisco to insane levels. The local folks have been hanging on for dear life but many have been pushed out to Oakland and beyond. Rent increases. Shady landlords. Better housing opportunities inland. If you are an artist or musician scraping by a living, it is really tough.

02-2015

03-2015

These “Google Buses” have many consequences. Besides the increase in cost of living they have the effect of turning places like Valencia Street into something like Walnut Creek. Bedroom communities where people do not actually live in the neighborhood but basically just sleep there, come home exhausted to their modern million dollar 600 square foot condo, then occasionally go out to eat at one of the fancy new restaurants with white table cloths that have sprung up. Maybe hit a SOMA bar.

01-2015
From a telephone pole in Potrero Hill in San Francisco

It is indeed a strange irony that the tech workers actually have little understanding of the actual history of cultural dynamics of the neighborhoods they have invaded. I know this from simply going to Carnival in the Mission and seeing very few of them. Or witnessing “The Box” try to schedule out the local kids out of their pick up soccer games at the Mission Playground. The tech workers have yet to bring anything culturally to the equation. But with all the building, if you are in the trades, you are doing well.

06-2015
Not a Tech Worker in Sight Here at Carnival 2015

05-2015

04-2015

What I also find very interesting about these new tech workers and these buses is just how vanilla every thing is. The commuters stand in line waiting for their bus, staring morosely at their iPhones, rarely interacting with one another. They then get in their massive buses, like the tour bus B.B. King would ride, but it is all white and definitely does not say B.B King on the sides. The fact that these buses do not have any marketing on the sides is indeed strange. Companies like Google have made their billions by marketing and advertising. You would think a bus going down the roads and highways of one the most expensive places in the world would garner some advertising revenue. But in the end Google and LinkedIn probably decided to that being incognito with the buses was more important. Keep peace with the natives. But there is no hiding. When you ride your bike down Valencia during commute hours, these Google Buses travel in herds.

Furthermore, I do not find anyone of these commuters documenting this commute. Do a Google search. Nothing. No one is blogging about this who actually does the commute. With all the publishing tools at their disposal, what a bunch of bores.

A few months ago a friend asked me what I would recommend to some newly arrived tourist who were interested in touring Silicon Valley. You see, for outsiders there is this sense that Silicon Valley and billionaires being made in this very dynamic environment. I told him it probably is not that exciting. It is usually a lot of people not interacting with each other, simply staring into computers in a nondescript office building. Perhaps in meetings trying to figure out how to position a product that does very little as something you absolutely have to have. I suggested to my friend that their visitors should simply try to sneak on to a Google Bus and get an inside view. Anyone done that one yet just for kicks?

San Francisco Carnival 2015 and some folk who have been holding down the neighborhood for decades.
08-2015

07-2015

Ocean Beach San Francisco – The Many Moods

Eventual, if you live in San Francisco, you make your way to Ocean Beach. Ocean Beach spans about four miles of the city, of course on the West, by this large mass of water called the Pacific Ocean. It is a major recreation area for locals. People run along the beach and adjacent paths. You can often find volleyball, football and ultimate frisbee going on. Dogs can be found chasing seagulls and romping on the water’s edge.

In the winter the swells at Ocean Beach can get very large, even over twenty feet high. In the spring, the west winds pick up and the swell gets small. Often the entire beach gets fogged in with a marine layer. It gets cold. Then in autumn, the west winds back off and there often is some manageable six foot swell, making for hundreds of surfers in the water.

Below are few desktop backgrounds of Ocean Beach in San Francisco. Right click and SAVE AS. Feel free to grab and use for your personal, non-commercial use.

02-OceanBeachSF-PelicanCafeNet

03-OceanBeachSF-PelicanCafeNet

04-OceanBeachSF-PelicanCafeNet

01-OceanBeachSF-PelicanCafeNet

05-OceanBeachSF-PelicanCafeNet

The Official Privacy Policy

There have been many requests for the Pelican Café to have a privacy policy posted and I think somewhere there is a law that states that we must. For crying out loud, we are only a little café! If you want privacy, stay home or crawl into a hole somewhere!!

Pelican Café Privacy Policy

  1. The Pelican Café reserves the right to refuse service to anyone including people who never have visited the café or website. –So there! When you fill out one of the forms on this website, we may gather information such as your name and email address. We may use cookies. We may not. It all depends if we have a sweet tooth on that day and if we actually have eggs in the house to make cookies. We may some day even capture your IP address if we get around to it, but just let it be known, if you spend hours and hours in the Pelican Café, espousing your amazingly intelligent comments or blasphemous nonsense, we may simply email you and ask you to look out a nearby window, get some fresh air and get a life. But if you are worried about remaining anonymous in this world, we wish you the best of luck. Unless your name is Bill Smith, live in a tree fort in Maine and never have had a computer, just about anyone can find you, including strange people you do not even remember from high school.
  2. The Pelican Café may use your personal information for online promotions and special offers but this is quite unlikely. We are presently at a complete loss as to what these online promotions and special offers would be. We know that if we tried, our email promotions and newsletters would all end up in your email “spam-bulk” folder. We know better.
  3. The Pelican Café may indeed sell your email address and other important information (i.e. your name) to a large evil company that wants you to buy sexual enhancement drugs, a get rich pyramid scheme or home refinancing. We are presently fielding offers for the highest bidder. All of our readers are from that mysterious 1% of the most wealthy people in our society that seem to just get more and more loot, so make an offer today.
  4. Clothing is required at the Pelican Café. I know that many people like to use the café as a home base for their streaking ventures around the block, but using the café as base camp to bring back a fad from the 1970s is going too far. You have no idea how many miscellaneous items of clothing I find lying around behind the couches. The socks I can deal with but the underwear is sometimes really gross; please pick up your items from the lost and found. So let it be stated that the only place you can pull down your pants is in the bathroom stall and that is if you have to relieve yourself.
  5. Speaking of the bathroom, let it be known that we have but one bathroom and that it gets a lot of traffic. Please do not use it as your preferred place for reading. I know the batting averages of the National League West are extremely captivating and that you must read an article until the very end, but in the morning, after a cup of Joe, some people need your favorite seat as well. Remember to flush, turn on the fan and for the love of God, wash your hands.
  6. The Pelican Café is outfitted with a free wireless network. Being a café though we ask that you take the time to actually interact with your friends and others in the café. Instant messaging others who are just at the next table is just strange.
  7. On the topic of technology, let it be stated that it is fine to make cellphone calls from the café, but if you are going to rant and rave about the party you went to the night before, please take it outside to the tables on the sidewalk. Do realize that everyone within a two-block radius can hear everything you are saying, so choose your words and topics accordingly. Stories of so-and-so throwing up may be entertaining to some, but unappetizing to someone at the next table eating an “Omelet of the Day.”

Above is the Pelican Café Privacy Policy. We reserve the right to change any part at any time depending on whether it is to our advantage – SO THERE!

Fred Dean and the Zen of Exercise

A country boy from Louisiana, where he developed an impressive muscular build, Dean was convinced the he did not need to work out.

“Whenever I feel like exercising, I lie down until the feeling goes away.”

Fred Dean – All-Pro Defensive End for the San Francisco 49s in the 80s. From Season of the Witch – David Talbot

Chata Gutierrez Mural Celebration

Photos of Soltron, Anthony Blea, Orlando Torriente, Louis Romero and Carl Perazo outside the House of Brakes.
South Van Ness and Mission. 10/10/2015

A minute of Sotron….

Had to be there.

The legacy of the late Chata Gutierrez, radio personality and salsa DJ on KPOO and KPFA, remains in the forefront for Mission District locals. The Chata Mural Project aims to showcase Gutierrez’s cultivation of heritage through an honorary mural by Carlos Kookie Gonzalez — and the proposed location: The Mission.

SFWEEKLY

While the rest of the city was battling the fog, the Mission had a special day honoring the late Chata Gutierrez, a very influential person in the San Francisco music scene. Her shows on KPOO and KPFA informed the entire Bay Area about Caribbean, African and various American musics.

Many local groups played and the 48 MUNI bus keep passing by. Beautiful restored from the late 50s cars were parked out front of the House of Brakes while the music found its groove. The mural is beautiful.  It was the old neighborhood crowd and only they knew the significance. Louis Romero, John Calloway, Karl Perazzo, Anthony Blea on the same stage!! Soltron, full or original material and some solid songs are  building upon the tradition.

 

 

The 2015 Hardly Strictly Bluegrass Awards

Once again, it is an honor and privilege to present the Pelican Cafe 2015 Hardly Strictly Bluegrass Awards to some of the outstanding musicians and acts at the festival. This was probably the seventh Hardly Strictly Bluegrass Festival that I have attended. The Hardly Strictly Bluegrass Festival always takes place the first weekend of October in San Francisco’s Golden Gate Park. In 2015, the weather was superb, with clear skies both days. By the afternoon on both days a moderate to strong west wind started blowing.It was nice to see the trees swaying in the breeze but the sound traveled away with the breeze as well. I went for a few acts on Friday and for most of both Saturday and Sunday. So much music. So many stages. There are always trade-offs and you cannot be two places at once. I missed a few shows I had circled but caught some great acts unexpectedly. This year I mostly listened from the grassy field at the Arrow Stage. Not too crowded and close to the little Band Wagon Stage were some of the real troubadours sing their songs. After flying solo on Friday and Saturday and meeting some real characters, Sunday was a grand party with my honey and some good friends. While Joe Jackson, Boz Scaggs and the Indigo Girls were all just grand playing their hits, it was the lesser known groups that to me really shined.

BEST SONG WRITER IN THE SPIRIT OF WOODY GUTHRIE

Tim Barry

Tim sang “Prosser’s Gabriel” for his album 28th & Stonewall and it was sung with such passion and honesty it really made my day. A man who seems on the edge, his song writing is excellent. His message to the crowd was “do something that scares you.” His passion for the moment came through.

BEST TRUMPET SOLO

Mike Olmos

Mike is a local trumpet player from the Bay Area and grew up in the East Bay. In years past I heard him play with Boz Scaggs and Jimmie Vaughan. His solos with the New Master Sounds were awesome as usual. Unfortunately, when the leader Eddie Roberts introduced Mike Olmos, the crowd sort of looked out vacantly off to the distance. San Francisco. A city with little clue as to the amazing quality of some of the local talent.

BEST FIDDLE PLAYER WHO MAY HAVE DROPPED ACID FIVE MINUTES BEFORE THE DOWNBEAT

Nicky Sanders

Speaking of local talent, Nicky pretty much took over the last tune and man can he play! He is a showman in the tradition of Paganini and will quote some the great classical works in his solos, from symphonies to classical themes all in a very whimsical way. Originally from San Francisco he obviously had home field advantage and pulled out all the stops. Just simply off the charts.

BEST BAND OF REALLY TALENTED MUSICIANS

Punch Brothers

Some things in life are just not fair. I had head the Punch Brothers a little here a little there. I left work early on Friday and biked to the festival. Starting the weekend with the Punch Brothers was awesome and they play with such amazing virtuosity and musicianship it is just breathtaking. The only problem was that after the Punch Brothers the only direction left to go musically was down. While every musician in the group is simply amazing, the banjo player was the one who really impressed me.

WORST BAND OF THE FESTIVAL (OR “HOW DID THEY GET THIS GIG?”)

Michael Franti

I know a little of Michael Franti’s work from an early Spearhead album. It is an awesome album with some stellar Bay Area players adding to the over sound. Charlie Hunter. Some amazing singers. What happened? Franti’s work now is somewhere between a frozen yogurt commercial and a group therapy session at the YMCA. Audience participation is one thing but when that is the point of the show it all seems silly. At one point I began to think that it was to cover for the fact that Michael has a hard time finding the pitch. Someone get with that man and work with a strobe tuner!

BEST LOOKING SAX PLAYER WITH A COWBOY HAT ON

Jay Reynolds

Jay was probably the only sax player at the entire event and there is something just sort of strange about a sax player wearing a cowboy hat and cowboy boots. I had always wanted to hear Asleep at the Wheel. It is such a strange sound that must be extremely regional. Country Swing, which sounds like 40s big band music but everyone is wearing cowboy hats and instead of trumpets and a sax section the sax, fiddles and a guitar play these tight arrangements like they know them in their sleep.

Ray BensonRay Benson backstage after the show

The leader of the band, Ray Benson was amazing. So relaxed it made me think I was hearing a Bing Crosby 45 record at 33 rpm. Man can that guy sing contra-bass. There is no award here for the lowest note sung at the festival, but Ray would win it by about two whole octaves.

Musician getting the boot

REALLY STUPID RULE THAT WILL BE THE DOWNFALL OF THE FESTIVAL

NO BUSKING

At one of the first festivals I attended, I heard a band called Fruition. Youngsters from Portland who were busking off to the side, behind one of the structures. They were really good, so good and real you kind of wondered why they were not on one of the stages. Probably next year, or in a few years they would make the Porch Stage or maybe the Arrow Stage you thought and then and you could reminisce about when you saw them in 2004 back behind the maintenance shed.

This year when I was leaving the festival, walking down the street, I saw a very traditional sounding bluegrass band being shut down by security. The band was simply playing as people left. The irony was that at the time all the stages were playing rock and roll and these fine young gentlemen were playing the tunes Warren Hellman would have played. It just seemed ironic and strange to be kicking fiddles and banjos out of a bluegrass festival.

While the Hardly Strictly Bluegrass is world-class and amazingly free, you have to wonder why the kabash on people playing in the street. All great American music comes from the street. To not allow for this sort of expression seems strange, ignorant and antithetical to so much of the songs being sung inside the gates. Time for an area for the buskers. Time to water the seeds. I think a lot of people who go to the festival to hear bluegrass would be in agreement. After the Warren Hellman money runs out, that is what will be left.

Butterfly Jazz Trio – CD Second Year Anniversary

On August 29th 2013, I assembled a band in a studio in Half Moon Bay, on the Pacific Ocean and made a CD. This Saturday that band (the Butterfly Jazz Trio) is playing again at their steady gig at The Burritt Room by the Stockton Tunnel in San Francisco. Saturday, August 29th 2015 makes it two years.. Come on down and grab a CD (only a few left) and check it out!

The cast
Kai Lyons – Guitar
Erik Von Buchau – Drums
Dillan Riter – Bass

The spot
Burritt Room in the Mystic Hotel by Charlie Palmer
417 Stockton St, San Francisco, CA 94108
Phone:(415) 400-0561

Some samples

Overture
My son, Kai Lyons plays guitar and in 2013 I spent many Saturday nights hanging out down in this mysterious place called the Burritt Room in the Mystic Hotel down by the Stockton Tunnel a few blocks from Union Square. There is cheap parking in the garage across the street and it is a nice walk from the Powell Bart. There are so many options but I highly recommend the New Delhi Restaurant on Ellis. The Burritt Room is a restaurant-bar with fancy cocktails and special cuts of meat and fine dining. A crazy place, I would run into Willie Brown or see Tony Hall walk in the door. Often it would be a few German tourists with that sort of wide-eyed, I am a visitor here having walked up mountains on the wrong side of the planet look. Anyway, listening to the band, I got this notion that I should get these guys in the studio. They sounded great! The one day session down the coast was pretty cool.

A little background
Kai met Erik when he was a toddler. When we lived in Bernal Heights Erik lived about a block away and Kai went to daycare with Erik’s son Cole at Joni and Red’s house across the street. The joke is that it is quite possible that Erik changed Kai’s diapers at point. Dillan and Kai met while busking in the BART and at the Ferry Building. Dillan had played bass for just a few years, but his work ethic, listening ability and drive have always been constant. The band has gone through many changes depending on work schedules and which way the wind is blowing. The addition of Parker Grant, graduate of the University of Miami and East Bay native on piano has been awesome. Often Brandon Etsler plays drums but this Saturday the lineup will include Erik Von Buchau on drums so it is a two year anniversary event!

Come on down!
The CD was a limited run and there are just a few left but they will be available at the Burritt Room this Saturday night. I feel blessed just to hangout and hear these guys play.

More info
http://www.kailyons.com/buy-cd/