A Stitch In Time

A Stitch In Time is now playing at the Pelican Cafe.

It is a song about the 6th Mass extinction otherwise known as the Holocene extinction. Oceans did sing to the sunsets. And once a whale did swim by.  That’s all you get. Just a stitch in time.

A Stitch In Time

There was a day
Not so long ago
The sun did rise
To the East

CHORUS
That’s all you get
Just a stitch in time
Dilly dally
And it does fly

And then the sun
Kissed the Mission
And found a friend
In the fog

CHORUS
That’s all you get
Just a stitch in time
Dilly dally
And it does fly

Oceans did sing
To the sunsets
And once the whales
Did swim by

CHORUS
That’s all you get
Just a stitch in time
Dilly dally
And it does fly

CODA
Don’t feel so bad
It’s happened before
Haven’t you heard
There’s bees.

Paul Lyons 8/2022

Ron Carter and the Finding the Right Notes

I think that the bassist is the quarterback in any group, and he must find a sound that he is responsible for.
– Ron Carter (Finding the Right Notes – 2017)


“After a couple of months on the road with the band, Herbie began to feel frustrated. He was copying all the other pianists but not allowing himself to come out from hiding. Finally the frustration came to a head. “I thought I’ve just got to play, to really play,” Herbie said. If that conflicts with Miles, I’ll just have to bear the consequences. So at the Sutherford Lounge in Chicago one night, I let it loose. I figured Miles was going to fire me after the set, but he leaned over to me and said. “Why didn’t you play like that before” That shocked me. Then it dawned on me that a copy is never as good as an original. Miles wanted to hear me. And so did Ron and Tony.”
– Herbie Handcock quoted in (Finding the Right Notes – 2017)

Paul Bley – Time Will Tell – “A scale is a very ugly thing”

“A scale is a very ugly thing and it’s a bad discipline to expose your ear to bad music in the name of technique.  If you decide what to play and what aesthetics to use in your choices then the “how” will follow. There is a basic advantage in not being able to play well, in that if your music is very simple then you are less likely to play bad notes. The more notes you play the more likely you are to play a lot of bad ones. By limiting your choices you improve the result of your music. I went through a period in my life when rather than trying to make my music sound better I started eliminating things that didn’t sound good and everyone said that I had made a great improvement, but what I had done was just housekeeping.”
Paul Bley – from Time Will Tell – Conversations with Paul Bley (2003) – Norman Meehan

Such an odd perspective, but it makes sense that Paul Bley would say that scales are “ugly.” I think what he is saying is that scales, when played like “scales,” are ugly. When played like music are just music. The notion that you get rid of bad notes in your playing by simply playing less notes is pretty funny!

if your music is very simple then you are less likely to play bad notes

This is perhaps the definition of a bluegrass solo, or what the cowboys call a “break.” Good jazz musicians never have a hard time with “wrong” notes as that is sometimes the fodder with which they create their motifs.

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